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A Dominican Protagonist Recites "The Ballad of Gay Tony"

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This week Take 2 Interactive/Rockstar Games, creator of the Grand Theft Auto franchise, will release their second downloadable content pack for Grand Theft Auto IV, titled The Ballad of Gay Tony, for the Xbox 360. The game will also be released as a separate disc, Grand Theft Auto 4: Episodes from Liberty City. The lead protagonist in the game is Luis Lopez, a Dominican-American from the northern Algonquin (Manhattan) neighborhood of Northwood (Inwood/Washington Heights.) And while some may use this opportunity to claim misrepresentation of Latinos in video games, I believe it is a landmark achievement for Dominican-Americans and Latino peoples as a whole.

The Grand Theft Auto franchise, often a magnet of criticism for its portrayal of racial groups, now runs the risk of locals in northern Manhattan, and perhaps other groups, attacking the game for its portrayal of Dominicans. But any criticism it receives will likely not recognize the game and its characters for what they are. In fact, the choice of a Dominican protagonist marks a breakthrough for Latinos, who are entirely unrepresented in video game narratives. 

As the name implies, GTA is crime-driven. Every character acting as a protagonist in the GTA franchise has been involved with violence, drug dealing and other criminal activity, regardless of the protagonist's race, ethnicity, or geographical origin. The fact remains Rockstar Games is first at using a fictional Latino character as a lead in a blockbuster gaming franchise. So while this game is targeted at adult consumers, there is nothing stopping other game developers from choosing to use Latinos as protagonists. It just so happens that the biggest game to do it yet is Grand Theft Auto

Luis Lopez works for Tony Prince, a proprietor of "gay and straight [night]clubs" whom the game is named after. If past installments of GTA are an indicator "Gay Tony" will likely have Lopez involved in a wide range of missions involving murder, theft, boats, helicopters and super cars. Previews of the game also hint on Luis Lopez's uptown life, where he is a member of the "Northwood Dominican Drug Dealers" gang. 

Yes. That's the name of the gang.


In March 2007 it was revealed that Grand Theft Auto IV would be set in Liberty City, an alter ego of New York City. In response, the Bloomberg camp was quick to state that they did not support "any video game where you earn points for injuring or killing police officers." While that may have been true, the statement made it clear that whoever wrote it had a fundamental misperception of what Grand Theft Auto is. There are no "points" in the game for cop killing. And if you do choose to kill cops the game becomes increasingly difficult as your "wanted level" rises, often leading to your death. Which means that a player may avoid killing police... or even bumping in to them, for fear of a car chase or manhunt lead against you. 

Other statements made by Bloomberg target the game's influence on young children, and display additional ignorance, as GTA is a game designed, and rated by the Entertainment Software Rating Board, for gamers age 17 and above. Additionally it should be noted that the average video game player is a depressed, fat, 35 year old. Not an impressionable and eagerly excited little kid.

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While there is no George Washington Bridge in Grand Theft Auto IV, the neighborhood does slightly resemble northern Manhattan, and Northwood is Lopez's original stomping ground (note the Washington Bridge in the picture on the left.) Though it seems he has now gained a reputation outside of the neighborhood, in the Algonquin night club scene. 

For those unfamiliar with GTA, the games exist in a satirical version of different U.S. cities. Vice City is Miami; Liberty City is New York; Los Santos is Los Angeles, etc. The cities, their inhabitants, the in-game branding, and stories all serve to create a satirical view of what these places are like.

The games are not meant to be taken too seriously. The characters in the games seem to often be trained in piloting airplanes and helicopters, skydiving, have excellent marksmanship, and incredible athletic skills. Not your average street-level drug dealer/car thief. 

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In all its incarnations it has obscene violence and a slew of overtly sexual references accompanied by a colorful cast of characters. But before anyone cries discrimination and misrepresentation remember what GTA is. The game brings you into a living world that, while focused on crime, gives players many non-criminal activities to focus on. Keep all these factors in mind before grabbing your pitchforks and torches. 

The writing and endless array of gameplay options have made previous versions of the franchise brilliant, and this standard will be in full effect in The Ballad of Gay Tony. One of the new features in this version is a golf mini-game (in addition to the existing darts, bowling, pool, cards and arm wrestling mini-games). 

Players will be controlling a non-baseball-playing Latino in a major game franchise for the first time in their lives as a video game player. Even if Luis Lopez does occasionally beat people to death with a baseball bat, it doesn't really count as baseball unless you're hitting an actual baseball. And plenty of real life Dominicans in video games have that covered already. And Luis Lopez's choice to take up golf? Well, let's see how bloody that five iron gets.  

Uptown Arts Stroll 2009 Comes To A Close

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uptown_art_stroll.jpgNoMAA's Uptown Arts Stroll concludes this evening. From the little that I've seen it was quite successful. The only event I attended was a concert/show/party on June 20th thrown by Juan Mapu (friend of TUC), titled "Social Whist Party: The Visit," which was truly awesome.

Mapu brought together some amazing artists, including a band by the name of "R-Tronika," who after finishing their set was encouraged... almost forced... into encores. Definitely check out their site and/or MySpace page.

Also something that was a lot of fun, though unexpected, was a performance by the "Surf 'n Turf" improv group. They asked the audience to give them a word to set them off into their first sketch (and perhaps to prove that it was indeed all improvised). After a few rounds of shouting from people in the room they narrowed it down to one word, which began a series of improvised train-of-thought sketches, which brought collective laughter from Mapu's attendees. Definitely check these guys out as well.

If the dozens of other events connected to this year's Arts Stroll were 1/2 as good as the one Mapu put together then I'm sure it was a major success. Anyone attend this or any of the other events?

Photo of Juan Mapu speaking to event attendees, courtesy of Sol Aramendi

Perry Payne Gets Away...

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...from it all. Friend to TUC and local singer Perry Payne is heading back to the stage next week to perform "Getting Away From It All."

With Michael Rice and his Travelling Three
Directed by Evan Pappas
July 1, 2, and 10 at 7:30
July 11th at 9:45
 
Music of Adair, Wallowich, Rodgers and Hammerstein, A.C. Jobim, Southerners including Trisha Yearwood, Michael Rice and Mike Craver, Steve Randoy, Ethel Waters, Mancini, Sting and Pink...Make your reservations and come on down! Time's a-wastin'... 

The show is at the Metropolitan Room on 22nd street. For tickets call (212) 206-0440 or visit metropolitanroom.com.

"Ye Olde Dyckman Gossip Rag"

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seperated_at_birth copy.jpgThe Dyckman Farmhouse Museum has released a gossip newspaper in honor of April Fool's Day.

This thing is great. It's an 8-page National Enquirer-styled paper full of details about the Dyckman Farmhouse's past. Some is true, same isn't, but all of it is fun to read. After reading the paper you can test what's true/false in the "Crossword Puzzle of Truth" or... if that didn't work for you... all the facts get cleared up by the end of the paper. 

You can download it here, but the link will expire April 6th, so get to it!

Web Find: The Origin Of Stan Lee

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GeorgeWashington_Bridge_Amazing_Spider-Man_121.jpgThat's right Marvel fans. Marvel founder and comic book legend Stan Lee spent some of his childhood in Washington Heights. Maybe that explains why the George Washington Bridge always shows up in Spider-Man comics. It seems that Lee was sprouting up just as the neighborhood was. 

I've known this for a while because his name is listed as a notable resident on the Washington Heights wikipedia page, but I never knew any details about it or when he actually lived here... until today, when I stumbled across this New York Times slideshow

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"This building was located near Fort Washington Park, which was a great place to play. On Saturdays I could walk from it to the Loews theater on 175th Street and Broadway. They had a matinee there, with a man named Lou (I forget his last name), who played a huge organ before the movie started. That was a big treat for us kids."

Watch The Shuttle Launch (Weather Permitting)

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090309-shuttle-spot-map-02.jpgTonight's launch of the space shuttle Discovery (which has been delayed numerous times) will be viewable from New York City. The clouds should clear up some by the end of the day. The launch is at 9:20pm EST and lasts about 8 minutes. 

I've seen launches in the past from New York and what you'll be looking for is a dot moving across the sky, and then blinking out as the main engine cuts off.

You'll be able to recognize it as the shuttle because it will be moving across the eastern skyline very quickly, and will not be following the path that most airplanes seem to be following. You'll want to be looking south-east, the shuttle will be moving north from there. A suggestion is to get outside early so you can recognize which patterns the airplane's have, that way when the shuttle comes across the sky you'll be able to easily single it out.

Check out this Space.com article for more details about viewing the shuttle.

Enjoy, and remember... it's just moving a dot. 

Update: The launch was cancelled, but there are still two more chances to see it from New York. Tomorrow night (Thursday) at 8:54pm and Friday night at 8:32pm. Any other launch attempts after that will be during the day, apparently. 

Update: It's now scheduled for Sunday evening. Follow the progress here if you're interested, as I may not post about it again.

Common Coming To The Palace The 14th

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common.jpgCommon is going to be performing at The United Palace Theatre on 175th street March 14th. Tickets are available through TicketMaster

Perry Payne Spotting

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I'm not big on celebrity gossip, but CBS News spotted TUC contributer Perry Payne on 181st street Wednesday. Awesome sauce.

Washington Heights Film Class: Frost/Nixon (review)

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Frost/Nixon will be playing at The Hebrew Tabernacle on 185th street and Fort Washington Avenue tomorrow, February 12th, as part of The Washington Heights Film Class. The film will begin at 7:30pm and will be followed by a discussion.

It's no accident that the title of Ron Howard's latest film sounds like a boxing match rather than a series of interviews between a journalist and former president. Part of what makes Frost/Nixon so compelling is the depiction of the two men as adversaries in a slew of contentious duels where both opponents' careers are on the line.

The movie begins with Nixon (Frank Langella) resigning the presidency before a television audience of 400 million. The gloom and tension in the wake of a man forced to step down from the highest office in the world contrasts the happy-go-lucky spirit of talk show host and English playboy David Frost (Michael Sheen) as he dismantles a live studio audience with his humor and charm. Frost's subsequent pursuit of the Nixon interviews quickly transforms him into an American laughing stock, however, and with hundreds of thousands of dollars invested in the production, his professional reputation hinges on whether or not he can get the president to confess to criminal involvement in the Watergate scandal. 

"The American people need a conviction," says journalist James Reston Jr. (Sam Rockwell), who Frost hires to help prepare him for the interviews. "If, in this interview, Nixon exonerates himself, that would be the greatest crime of all."  Reston's insistence that the U.S. democracy depends on getting Nixon to confess raises the stakes even higher for Frost, who was previously only concerned with the commercial success of the broadcasts. In the other corner, Nixon's head of staff Jack Brennan (Kevin Bacon) assures him the interviews are the very opportunity the former president needs to rebuild his reputation.

Adapted from a play of the same name, Frost/Nixon vividly recreates the 70s within a fast-paced narrative. The intercutting of actual news reports lends a surreal quality to the story reminiscent of Apollo 13, but reenactments of widely recognizable historical events, such as Nixon's famous wave goodbye before boarding Marine One, act as wrenches in the gears of our suspended disbelief. Far more effective is the following shot of Langella's sullen facial expression looking out the window while the White House disappears beneath him. The colorful, off the cuff remarks between Frost and Nixon also add refreshing humor to many tension-filled scenes, despite their historical inaccuracy. 

While there is little physical resemblance between Langella and Nixon, the actor's portrayal of 37th president is remarkably spot-on, as evidenced by Langella's Oscar nomination for Best Actor. Sheen also plays Frost's character without a single dishonest moment, although his overused, frozen-faced smile occasionally spoils certain shots. The supporting cast of Bacon, Rockwell and Oliver Platt (as journalist Bob Zelnick) all deliver riveting and nuanced performances.

Frost/Nixon's five Oscar nominations, including Best Picture, Best Director and Best Screenplay Based on Material Previously Produced or Published are a testament to the film's achievement as more than just another cinematic account of American political history. Howard's continued ability to keep an audience that already knows the ending on the edge of it's seat is nothing short of remarkable.

At The Coliseum: "Notorious"

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notorious.jpgIt may have been well below freezing last night, but that didn't stop teenagers and young adults from packing the Coliseum's sold-out 10:15pm showing of George Tillman Jr.'s Notorious, starring Jamal Woolard as Christopher Wallace a.k.a. Biggie Smalls. The show was so full that people were sitting on steps in the theater.

In the mid 1990s Biggie's music could be heard up and down the streets of northern Manhattan, and most of New York City for that matter, with people blasting his hits from their car stereos and boom boxes. The guy was the King of New York, after all. Though as the crowd settled in, I wondered how many of these kids were actually fans of the late Frank White? How many really knew and remembered his music, his life and its end? 

For most of the film, it was crystal clear to me who was who and what was happening, but it felt like the movie was working its hardest to let you know that "this guy was Tupac," and "that girl is Lil' Kim." And I see why they did it. With the 90s now fading away, how could many of these kids be expected to remember who was in Junior Mafia or that Lil' Cease was sitting right behind Biggie when he was murdered?

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The film takes you through the ups and downs of Christopher Wallace's career and personal life and gives you a sense of how his music evolved. The concerts featured in the film bring many of the rapper's performances back to life, and some people got right into it and were clearly fans. Those in the audience rapping along with Big to "Party & Bullshit," "Juicy," "Sky Is The Limit," and "Hypnotize" were in the minority, however. I got the feeling that had it been a Jay-Z or Lil' Wayne biopic there would have been many more pumped up by their knowledge of the music in the film, simply because they were too young to be fans of Frank White. Having said that, when "Juicy" was playing many knew and shouted out the infamous line (that is now often edited out of the song) "Time to get paid, blow up like the World Trade!" (referring to the bombing in the early 90s). It was nice to see that the film left the line in, considering the popularity of the song at the time and through the years.

Notorious does a great job of taking you right back to that period, and gives fans of the rapper a chance to learn a bit more about him and get a sense of what kind of person he was in his private life. Even though some parts of the film are clearly exaggerated and fictionalized, the movie is a nice ride back through the 90s with one of hip hop's greatest. 

Not a Notorious B.I.G. fan? Then listen to his music and become one. And then watch this movie.